The Art of Installation
See the work that has transformed spaces.
Coral stone up a fireplace, in a home built by an architect who trained under Frank Lloyd Wright.
Travertine wrapped around the fireplace, three materials meeting in one plane. Every joint met at a different angle.
Nothing in the house is square — the stone was cut to fit it, not the other way round.
Hall of Fame medallions, set flush in the plaza the crowd walks on game day.
Number 99, Jason Taylor — set dead flush into the concourse floor.
Every stadium stair ground down and rebuilt to code, before the season opened.
15th Street Fisheries, the only restaurant inside the historic Lauderdale Marina. A dining room that couldn’t close, and a floor that had to be replaced — carpet out, porcelain plank in, all of it overnight. The restaurant never closed.
Curved bar: Twenty feet of curve, two bands of mosaic, the courses holding their line the whole way.
Straight bar: Ten feet, every corner mitered — the mosaic turns ninety degrees with no trim hiding the joint.
Patterned tile framed into the wall like a pair of paintings, the pattern centered and squared inside each frame.
Book-matched stone fireplace wall, floor to ceiling, the pattern mirrored panel to panel.
A woven-stone border inlaid into a marble floor, turning the corner without breaking the pattern.
A marble medallion inlaid into the entry floor.
A $4 million waterfront house. Stone three stories up the chimney, set from scaffolding built custom inside the room.
Scaffolding built inside the room to reach it, with the house still furnished underneath.
Grab bars, a bench, and a level entry — all of it detaied to match the fixtures instead of announcing itself.
Every butterfly cut and set one at a time, each curve of the wings made from straight tile.
A mosaic shower with no curb and no threshold — the floor runs straight in.
The jacuzzi out, a freestanding tub in. Torn apart and rebuilt — new plumbing and electrical, a new vanity, a second sink. And a checkerboard on the diagonal, every tile at the wall a cut.
The client asked for a bathroom the size of a bedroom, so a 13×15 master bedroom became the new master bath. New plumbing, new electrical, custom limestone inlays — and a shower floor ten feet square, every tile falling to a single drain.
Took out a guest bedroom — and built a his-and-hers bathroom twice the size, plus a master walk-in, without adding a foot to the house.
A former Dan Marino residence. The 5×5 shower came out and a thirteen-by-eighteen wet room went in — marble floors and walls, custom inlays, and a hex-mosaic floor pitched from every direction to one linear drain.
An entire deck in river pebble, pitched to drain, with no seam showing where one sheet meets the next.
Split-face stone on every wall of a small room, the courses running level through three corners and around the door.
A diagonal checkerboard running the length of the house, polished to a mirror. Every joint has to be dead flat — one tile high anywhere and the whole floor shows it.
Bisazza mosaic run along the waterline, following every curve of the pool without a break in the pattern.
A pool deck in custom-cut sandstone, every edge shaped to the pool.
Coral stone cladding, every course running level around three sides of the house.
Stone slabs cantilevered across the water, each one landing dead level with the last.
A glass-tile corridor with a river-pebble runner down the centre.
A stone koi pond cut to a point, the pump hidden in the base.
A freestanding tub set into a bed of black river stone.
A sculpted black feature wall behind the vanity, tile catching the light in facets.
An outdoor kitchen clad in stacked stone, built around a wood-fired oven.
Stacked stone carried up the wall and wrapped over the hood.
A waterjet marble pattern — each cut piece set flush into the next, no joint out of line.
An accessible bath, grab bars built into the design from the start.
A pool deck pitched the whole way to one linear drain against the house.
A wood-slat wall built around a linear fireplace.
An octagon marble pattern set into an arched exterior niche.
A TV and a fireplace carried on one patterned wall, floor to ceiling.
The same wall from the dining room, the pattern reading correctly from both sides.
Large-format porcelain laid tight around the pool’s curve.
The deck at dusk, string lights up, the porcelain still reading flat and even.
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